CAPTAIN SENSIBLE reissues on Cherry Red!

CAPTAIN SENSIBLE/Women And Captains First (+ bonus tracks)

When Captain Sensible briefly stepped away from his duties as bassist/guitarist in Punk legends THE DAMNED and decided to record a solo album, the last producer anyone expected him to work with was Tony Mansfield.  Not that there was anything wrong with Mansfield: he was an enormously talented songwriter, guitarist, producer and musical visionary.  The real issue was that the good Captain was in a PUNK band and Mansfield was best known at that time for fronting Synthpop band New Musik!

What people didn't take in to account at the time was that the Captain was a superb Pop songwriter and whether his tunes were fuelled by slashing guitars or blipping synths, it was the song that mattered. And judging by Women And Captains First, Mr. Sensible's gamble paid off... in spades!

The album's big UK hit out of the box was a cover of "Happy Talk", originally from the soundtrack of South Pacific.  An odd choice, but a brilliant single.  Captain is in fine form, vocally and Mansfield's production lets the synths do the talking... but without taking it to Human League/Soft Cell territory.  It's jolly, it's happy and it still sounds wonderful, overblown and fun.

The album's opener, the funky rappy "Wot", managed to creep into U.S. radio (including L.A.'s KROQ) and helped build the Captain a fanbase who probably had never heard a single note from The Damned. The song was also a decent sized hit in the UK.

Elsewhere, the album is as eclectic and the Captain is eccentric.  There's a healthy dose of great Synth-based pop ("Brenda", "Martha The Mouth" and "Croydon"), some poppy Punk-inspired rave-ups ("Yanks With Guns"), Dixieland swing ("Nobody's Sweetheart") and so much more. This Cherry Red reissue adds bonus tracks from the single b-sides (ranging from experimental to Pop to Psychedelic) plus the previously unreleased instrumental gem "Joe Meek" (why this was never released remains a mystery!).  This is a treat from beginning to end. To be honest, it may be TOO eclectic for some listeners, but you'll end up coming back and listening to it over and over eventually...

CAPTAIN SENSIBLE/The Power Of Love (+ bonus tracks)

After the success of Women And Captains First, Mr. Sensible bowed out of the Damned and pursued his solo career, heading back into the studio with Mansfield for a second album that would capitalize on the success of his debut.

The Power Of Love was not as eclectic as Women... and, on many levels, is actually a better album for it.  The anti-war hit, "Glad It's All Over" continues in the same Synth vein as the debut, although the song has more depth, musically and lyrically, than any of his solo recordings up to this point.  While the album didn't have any singles as popular as "Happy Talk" or "Wot", The Power Of Love is a great, cohesive Pop album filled with delectable little Pop nuggets that demand to be heard.

"It's Hard To Believe I'm Not", "It Would Be So Nice", "Thanks For The Night" and "The Power Of Love" are guitar pop gems that are hook-filled and instantly hummable. "Stop The World", "I'm A Spider", "Royal Rave-Up" and "Secrets" are synth-dominated slices of pop pleasure that won't leave your head for days afterwards.  The Captain even shows his sweet side on "I Love Her" and "I Love You", two songs that are quite pretty and touching... but you're really not quite sure if ol' Cappy is being sincere or taking the piss!  Either way, they are classics.

The bonus tracks on this Cherry Red reissue are excellent additions, including the non-album singles "There Are More Snakes Than Ladders", "One Christmas Catalogue", "Come On Down" and "Revolution Now" plus the odd B-sides. Another must-have for any '80s pop collection... or ANY pop collection for that matter!

KRAFTWERK/The Remasters

THE FARMER'S BOYS/Get Out And Walk Review

Well, Cherry Red has done it again! One of the absolute finest and most overlooked albums of the '80s has finally seen a fitting and well deserved release on CD:

THE FARMER'S BOYS' Get Out And Walk!

Here's what I had to say about it on All Music Guide:

"Sometimes, I can bang my head against the wall, wondering why certain bands ‘make it’, while other more talented combos get overlooked and, ultimately, forgotten. And often times, the band that faded into obscurity created music that stands the test of time decades down the line. Such is the case with British pop quartet The Farmer’s Boys.
The band (Baz, Stan, Mark and Frog) were certainly a bright spot on the music scene back in 1983 when they signed with EMI after a handful of indie singles. Their sound was certainly original: imagine Edwyn Collins and his Orange Juice mates jamming with The Human League’s keyboardist (complete with programmed drums) and you’ve got more than a basic idea. Add a little bit of The Smiths, a dab of Country & Western and you’ve got The Farmer’s Boys. And yes, they really do sound that cool!
Get Out And Walk was the band’s 1983 debut album and what a debut it was! It had jangly guitars, jolly melodies, catchy synth riffs, acoustic strums, danceable beats and, to top it all off, Baz’s Morrissey-like croon floating above it all. The album was fun and extremely infectious with more cool tunes per minute than 75% of the albums that came out that year.
For some reason, insanely catchy cuts like “For You”, “More Than A Dream”, “Matter Of Fact”, “Wailing Wall” and “Woke Up This Morning” didn’t receive massive airplay in the UK when they so rightly deserved it. Even the funk-heavy “Soft Drink” (with Baz in falsetto mode) didn’t make its way to the dancefloors around Europe like it should have. Yes, the band did see some chart success, but usually just out of the Top 40, which meant they barely received much-needed television exposure.
Get Out And Walk was one of the coolest records released during the ‘80s but, for whatever reason, it just didn’t click with their intended audience. Perhaps it was the band’s lack of image? Maybe because the band never really took themselves too seriously? Or it could just be a matter of bad luck?
In any case, the album still sounds fabulous today, mainly due to the songs, which will please fans of great ‘80s guitar pop. Even synth fans can find a lot to love about The Farmer’s Boys! And with this Cherry Red reissue, there are 10 bonus tracks that make it an absolutely essential purchase. The bonus tracks include non-album singles, b-sides and three extended remixes lifted from the bonus EP that came from initial pressings of the LP. Looking back, 26 years after I bought the original import vinyl LP on a whim, it was, to quote one of the band’s song titles, “probably one of the best investments I ever made”!"

I sure do hope that they plan on releasing the band's second (and final) album, With These Hands, too!

Stephen SPAZ Schnee

THE SINCEROS/The Sound Of Sunbathing review

In the late '70s and early '80s, the line between Pure Pop bands and New Wave outfits became intertwined. Most bands that played slick, melodic Beatles-influenced pop were considered Power Pop in the mid '70s but by the time bands like Squeeze, The Sinceros, 20/20, Nick Lowe, The Plimsouls and other like minded acts hit the music scene, they were quickly branded New Wave and marketed as such.

This was not necessarily a bad thing in terms of commercial sales, but we all know that when a music scene dies, it takes most of the bands with it. Some bands (Squeeze, Nick Lowe) were able to rise above but when New Wave became old news, then the bands lost label support and any momentum they had built up.

The Sinceros were an excellent Pop band consisting of four great musicians: Mark Kjeldsen (vocals/guitar), Ron Francois (bass/vocals), Don Snow (keyboards/vocals) and Bobby Irwin (drums). While Kjeldsen was the main frontman and wrote the majority of the songs, both Snow and Francois offered some tasty treats to The Sinceros' repertoire.

On The Sound Of Sunbathing, the band's 1979 debut, was a hook-filled Power Pop party dressed up in dayglo colors... with a little New Wave spice thrown in for good measure. Like Squeeze, The Sinceros' songs were instantly catchy and those lucky enough to hear them would have their melodies stuck in their heads for days, weeks, months and, for us lucky ones, decades!

The album is chock full of great tunes including Kjeldsen's "Little White Lie", "Quick Quick Slow" and "So They Know", Snow's "Hanging On Too Long" and Francois' "Good Luck (To You)", but two songs received the most attention: "World's Apart" and "Take Me To Your Leader". Unfortunately, these two tracks were, at best, average Pop tunes dressed up in quirky New Wave arrangements, which possibly made them more appealing to the masses. Thankfully, the rest of the album is loads better, so anyone suckered in by those two tracks were more than pleasantly surprised by the high quality of the rest of the material. Now, don't get me wrong, those are fine tracks, but compared to the rest of the album, they sound like b-sides!

For music fans not familiar with this great debut, the best way to describe it would be a cross between Squeeze's Cool For Cats and Argy Bargy: not quite as Pub-like as ...Cats, but not quite as accomplished as Argy.

While there's not really a bad song on the album, The Sinceros were still in the process of becoming a GREAT band, something they achieved on Pet Rock, their sophomore album (which I'm hoping is reissued soon!). After that, the band split and the members went their separate ways: Snow ended up in Squeeze (ironically enough) for their Sweets From A Stranger album; Francois joined The Teardrop Explodes and Irwin played drums for Nick Lowe for years and years. Kjeldsen unfortunately passed away in the '90s.

Cherry Red's excellent reissue of The Sound Of Sunbathing retains the UK album cover and track listing and adds three non-album bonus tracks, making this an absolutely essential purchase for any Power Pop, New Wave and '80s music fan.

I can only think of ONE reason why The Sinceros may not have clicked with the youth of the '80s: Kjeldsen's moustache! When New Wave was considered the music of the young generation, anyone with a mustache was considered uncool (including The Stranglers' Dave Greenfield!). Fortunately, Kjeldsen had a full, slightly more fashionable beard by the time of their sophomore album, but it may have been too late! The moustache did them in! Well, I'm not entirely serious... but kinda.

Pure Pop For Now People,

Stephen SPAZ Schnee

PREFAB SPROUT/Let's Change The World With Music review

Prefab Sprout's Let's Change The World With Music is now available!  This abandoned album from the early '90s (recorded after Jordan: The Comeback) has been gathering dust for 17 years and has finally seen the light of day!

Here is what I had to say about it on All Music Guide!

"Why on earth isn’t Paddy McAloon a legend? Honestly, he really should be a household name all around the world. From Prefab Sprout’s early ‘80s singles up through their oft-brilliant but much-maligned album The Gunman & Other Stories in 2001, Paddy has written some of the finest Pop tunes you’re likely to hear in your lifetime. If you are not familiar with the Sprouts’ output, comparisons are futile. How can you possibly describe a songwriter who is as unique as he is mysterious? Comparisons have been made with Cole Porter, Lennon & McCartney, Brian Wilson, Stephen Sondheim, Jimmy Webb, Elvis Costello and many others, but he remains a truly original and gifted singer and songwriter.

While Prefab Sprout could never be called prolific in terms of physical album releases, Paddy has continued to write and demo material throughout the band’s 20+ year career. In recent years, while less talented artists bask in the spotlight and sell boatloads of albums, our man Paddy has dealt with a series of health issues including vision and hearing problems. He’s had retinal detachments in both eyes and a severe bout with tinnitus, which has left him virtually unable to carry on as a recording artist. Thankfully, he continues to write songs that can be sung by other vocalists and perhaps, one day, he will be able to grace us with his own voice again.

Until then, we will fortunately be graced with previously unreleased Prefab Sprout music, such as Let’s Change The World With Music, the oft-rumored 1992 follow-up to the Sprouts’ Jordan: The Comeback album. While the album was never actually completed by the band, Paddy’s full-formed demo is not just a hint of what ‘might have been’: it’s one of the most consistent albums of the band’s career!

Let’s Change The World With Music is a loose concept album that that is based around the intense, often times religious, joy of music and the gift it brings to those who allow it to overcome and overwhelm them. While Paddy is not a Bible-bashing evangelist, he uses religious imagery to describe the magical power of music and how it can literally change the world. Those who choose to push music to the background in their lives may not understand where Paddy is coming from, but for those of us who have lived and breathed music since our early days, Let’s Change The World With Music is a revelation (pun intended).

From the intro of the lead-off track, “Let There Be Music”, it is immediately obvious that this will be a different Prefab experience to what most fans are used to. In the past (especially on Jordan: The Comeback), the band used keyboards to add depth and atmosphere to their tracks but Let’s Change The World... is a different ball of wax: it is ALL keyboards. As stated previously, this is Paddy’s demo version of his musical vision and does not feature backing vocalist Wendie Smith or brother Martin.. or anyone else for that matter. And to be honest, even without the other band members, it’s an absolute joy to listen to. Would it have sounded better with real strings, real drums, guitars and proper production from someone like Thomas Dolby? It’s really hard to tell, since the album is a near-perfect collection of songs that celebrate the glory of music, becoming a glorious piece of music in the process.

Some of the lyrics on the album may seem a bit twee and trite on the surface (particularly on “Music Is A Princess”), but in the context of the album, they become touching and heartwarming. Like all Prefab albums, there are moments of absolute joy on display mixed with an equal amount of bittersweet and touching songs that reach right down and stir your soul. Highlights include “Ride”, “Earth, The Story So Far”, “Last Of The Great Romantics”, “Angel Of Love” and the title track.

For the uninitiated, the Prefab Sprout albums to investigate first would certainly be Steve McQueen and Jordan: The Comeback, but Let’s Change The World With Music isn’t far behind. It is a beautiful, joyful and unpretentious musical love letter written to and about this life-changing force we call music. Let it make your heart sing!"

Let's change the world with music blogs,

Stephen SPAZ Schnee